2021 Award Winners

Selecting from a field of more than 250 acclaimed artists, juror Dr. Nadiah Rivera Fellah of the Cleveland Museum of Art, selected the recipients of the 51st Annual Raymond James Gasparilla Festival of the Arts. $80,000 in award monies were awarded to the participating artists, including the $15,000 Raymond James Financial Best of Show Award.

Held for the first time in a virtual format in response to the COVID-19 pandemic on March 6th and 7th, 2021, the Gasparilla Festival of the Arts is the first juried arts festival to award prize monies in this format. The virtual Festival will be available for viewing – and artist storefronts open for purchase – until March 21st, 2021.    

The winners of the 51st Annual Raymond James Gasparilla Festival of the Arts are:

Raymond James Financial Best of Show Award ($15,000)
Nicario Jimenez, Naples, FL | “Immigration: Latin Triumph”, Mixed Media

Board of Directors Award ($9,000)
Nneka Jones, Tampa, FL | “Destroy the Myth”, Mixed Media

Mayor’s Award ($5,000)
Jenny Henley, Marietta, GA | “Untitled – Akai”, Mixed Media

Roddy Brownlee Reed Award of Artistic Excellence ($4,000)
Beth Garcia, Lakeland, FL | “Gator Bloom”, Ceramic

President’s Award ($3,000)
Geoff Buddie & Chris Rom, Swanton, OH | “Blue Ovals (sixteen permutations)”, Mixed Media

Suzanne Camp Crosby Memorial Award ($2,000)
John Deng, Roslyn Heights, NY | “Honey Collectors”, Photography

Eileen Hirsch Memorial Emerging Artist Award ($1,500)
Anna Rodriguez, Tampa, FL | “Dobleces”, Painting

Anne Marie Campbell & Sam Giunta Award of Merit ($1,300)
Tanya Doskova, Phoenix, AZ | “Adoration of the Mystic Lamb and The Baptism of Folly”, Digital

ARTicles Art Gallery Award of Merit ($1,300)
Bryan Yung, Palm Coast, FL | “Spring Morning”, Watercolor

Diane Buckley Award of Merit ($1,300)
R. Michael Wommack, Langhorne, PA | “At 2 o’clock”, Drawing

Emily Shrider Award of Merit ($1,300)
Amanda Outcalt, Washington, DC | “Pop Gun”, Mixed Media

Erin Konley Award of Merit ($1,300)
Matthew Cornell, Orlando, FL | “Inheritance”, Painting

Five Studios Award of Merit ($1,300)
William Kwamena-Poh, Savannah, GA | “Strange Fruit, Skittles/Liberty Dearest, Whose Side are You on When We March”, Watercolor

Harbinger Sign Award of Merit ($1,300)
Alfredo Alea, Johns Creek, GA | “Infinity I”, Sculpture

Harold Scheffel Memorial Award of Merit ($1,300)
Sandra Rodriquez & Emmanuel Diaz, Homestead, FL | “Dialogue. Series Theoretical Corpus”, Painting

In Memory of Justin Paul Brown Award of Merit ($1,300)
Jon Smith, Clearwater, FL | “Boston Museum of Fine Arts with Sargent”, Painting

Jane and Vance Arnett Award of Merit ($1,300)
Adam Crowell, Bonneau, SC | “Curved 10-note tongue drum with stand in key of D”, Wood

Jennifer Malin and Marc Dahl Award of Merit ($1,300)
Susan Gott, Tampa, FL | “The Couple”, Glass

J.J. Taylor Award of Merit ($1,300)
Julia Gilmore, Jefferson, NH | “Bubble Gum Machine”, Painting

Juanita Cacioppo Memorial Award of Merit ($1,300)
Pam Fox, Sarasota, FL | “Emerging Gold Cuff”, Jewelry

Karen Price Award of Merit ($1,300)
Mychal Mitchell, Austin, TX | “Goldilocks”, Fiber

Kelly M. Klein Memorial Award of Merit ($1,300)
Ummarid Eitharong, DeLand, FL | “Man in the Mirror”, Mixed Media

Lisa and Chuck Carver Award of Merit ($1,300)
Aaron Hequembourg, Athens, GA | “Rope”, Mixed Media

Marcia and Jack Cohen Award of Merit ($1,300)
James McArthur Cole, Plainfield, IL | “The Collector”, Photography

Red Fox Delivery Award of Merit ($1,300)
Rick Abrams, DeLand, FL | “Black Mirror”, Mixed Media

Remembering GFA Family and Friends Award of Merit ($1,300)
Janet Herman, Polk City, FL | “Windy Ridge Bristlecone”, Fiber

Sandra Sroka Award of Merit ($1,300)
Karen Hibbs, New Haven, CT | “Egypt”, Glass

Sheila Seig and John Mullen Award of Merit ($1,300)
Larry Allen, Leeds, AL | “Cut/out covered bowl”, Ceramic

Shumaker, Loop & Kendrick, LLP Award of Merit ($1,300)
Glenna Adkins, Fort Thomas, KY | “Always On”, Painting

Tada! Award of Merit ($1,300)
Sam Jones IV, Flippin, AR | “Nude in Copper, Silver and Grey, 2020”, Mixed Media

Tampa Bay Times Award of Merit ($1,300)
Deana Goldsmith, Perkinston, MS | “Writer’s Block”, Drawing

Tampa Electric and TECO People’s Gas Award of Merit ($1,300)
Jennifer Lashbrook, Dallas, TX | “Frida with Yellow Begonias”, Mixed Media

The Bank of Tampa Award of Merit ($1,300)
Robin Frisella, Candia, NH | “Homegrown Goodness”, Drawing

The Barrymore Hotel Award of Merit ($1,300)
Athlone Clarke, Douglasville, GA | “Offering of Light”, Mixed Media

Wellington Counseling Group Award of Merit ($1,300)
Cali Hobgood, Urbana, IL | “Life Preserver”, Photography

WUSF Award of Merit ($1,300)
Kathleen Brodeur, Winter Park, FL | “Rehearsal”, Painting

Zukku Sushi Award of Merit ($1,300)
Michel Delgado, Chicago, IL | “This Complex Share”, Mixed Media

Lightning Foundation Scholastic Showcase Award (Student $1,000)
Chau Mau | “Dawn But Not Forgotten”

Lightning Foundation Scholastic Showcase High School Representative Award (Student’s School $500)
Venice High School (Sarasota County)

GFA Collegiate Scholarship ($2,500)
Marie-Ange Pollonais, University of Tampa

The Tampa Museum of Art Purchase Award will be selected the week of March 8. The work will be added to the museum’s permanent collection.

Ajeva

Ajeva is a funk/rock band from St. Petersburg, FL. The band started in 2013 and features Reed Skahill (vocals), Taylor Gilchrist (bass), Mike Nivens (guitar), and Lyndon Thacker (keys). They’ve carved out a sound of their own with epic melodies and distinctive vocals that pair perfectly with their deep grooves. Each Ajeva show is a one of a kind experience with the band taking their songs to different places and new heights every night.

Light the Wire

Light the Wire makes heartfelt, indie-folk rock that with powerful vocal harmonies, thoughtful lyrics, and powered by driving bass and drums.  The quintet is based out of Tampa, FL, and released its self-produced, debut EP – “Someday Is Coming” on all streaming platforms on November 1, 2023.

Giorgi

Rock musician that refuses to find a niche

GA & FL

FFO: Foo Fighters, Jimmy Eat World

Mwiza

Biggest influences are church, his mother, Coheed & Cambria, Acceptance, James Morrison, Bombay Bicycle Club, Disturbed, Arctic Monkeys, Young The Giant, Chevelle, Rusko, Chief and Matt Corby. Most of the music he listens to has a darker sound to it so he in turn makes darker, melodic music.

Datagram

Datagram has been the moniker of shapeshifting Tampa musician Scott Olson for the better part of the last decade.

In that time, the sound and styles of this project have shifted and morphed, painting with shades of glitch, downtempo, techno, and all that lurks in between.

Shevonne and the Force

A multi-hyphenate, genre-bending artist, Shevonne Philidor is a singer-songwriter, producer, and actress who epitomizes her dynamic background in music and performing arts. A military brat born in Philadelphia, PA, she experienced living in multiple cities – including a stint in Italy – before landing in Tampa, Fl, where she nurtured her musical ability throughout her childhood. She’s a scion of a musical family stemming from her half-Haitian descent and taught herself to play the guitar at an early age, inspired by the likes of Prince, Whitney Houston, Aretha Franklin, Lauryn Hill, Bob Marley, and M83. In 2003, she made her first TV debut on America’s Most Talented Kids, and in 2010, she made an appearance on America’s Got Talent Wild Card. A recipient of the prestigious NFAA scholarship, she also made American Idol’s top 40 twice in 2016 and 2019, the same year she performed at Austin City Limits with five-time Grammy award-winning artist Gary Clark jr. In 2021, she performed alongside CeeLo Green at a Superbowl party for the Tampa Bay Buccaneers and was tapped to sing for ABC’s Juneteenth celebration with T.I. and Domani. Working with Grand Hustle Records, she’s a Luna Guitar-endorsed artist who was also selected to perform in Just Blaze’s SXSW showcase in 2022. A theatre kid at heart, she’s flexed her acting skills on a national tour for Todrick Hall’s musical, Oz The Musical, and she was also recently casted in Life’s Rewards, an upcoming Amazon Prime TV show.

Kristopher James

Though he’s lived in the Sunshine State, for most of his life, Kristopher’s talent for melody and song (now) extend far past the state’s line. Like his influencers Otis Redding, Amos Lee, and Roberta Flack, Kristopher’s voice is clear, controlled, and full of all-the-feels.  As with all artists, Kristopher’s sound has ebbed and flowed, evolving yet remaining instantly recognizable. With the growth he’s experienced as an artist, Kristopher felt it was time to capture his songs, in their fully-imagined sound!

With his debut album “Kindness Never Quits”, featuring members of Scary Pockets, Kristopher caught the attention of Relix & Glide Magazine, Spotify Playlist curators and continued praise, such as “vocals are so powerful and as the song progresses, he showcases why he is one of the best singers out there. All that soul in one artist is just unbelievable” from Reignland Magazine.

Continuing through the COVID years, Kristopher partnered with musicians to keep the music and community alive. Along with composer and keys player Mike Hicks of Rascal Flatts, The War & Treaty’s Max Brown on guitar, as well as talented artists Kyshona Armstrong, Jonathan Huber, DeMarco Johnson, Kristopher released 3 acclaimed singles: “Never Had to Find Our Way”, “Feelings” and “I Can Only Love You in a Song”

Deaf Company

Three piece Rock n Roll band hailing from St. Petersburg, FL.

Skyler Golden

Musician from St. Pete Florida and Studio Producer for Zen Recording. Brings an eclectic sound of string instruments for the Yoga Classes at GFA 2024

SydLive

From Tampa Florida, SydLive was born to write and sing songs that touch the world. As her mother recalls, her climb to stardom began with getting on top of restaurant tables to sing at the age of two.

By the time she was eleven, she acquired her first guitar and began to teach herself to play by learning Beatles songs. Within four years she found her way to the stage singing in a Carpenters tribute band. Since this time, Syd has amassed over a decade of experience as a professional singer/songwriter and recording/performance artist. Within the industry, she names Aretha Franklin as her idol.

DURRY

The first sound you hear on Durry’s rambunctious and poignant debut album, Suburban Legend, is an old-school Internet dial-up tone. To songwriter Austin Durry, the sound is instantly familiar but his bandmate and sister, Taryn, hadn’t heard it before. The Burnsville, Minnesota-based duo might identify with different age groups — with seven years between them, Austin is a millennial and Taryn is Gen Z — but by joining forces in Durry, they show just how much the neighboring generations have in common.

Between their serendipitous origin story and a crop of dynamic, hook-heavy alt-pop tracks, Durry are doing something few bands can achieve — and they’re doing it entirely on their own terms. As a band, Taryn and Austin’s journey happened both unexpectedly and fortuitously. At the start of the COVID pandemic, Austin and his wife moved back into his parents’ house, where Taryn was also living at the time. In addition to moving back in with his family, COVID forced Austin to cancel an extensive tour with his previous band, Coyote Kid. Faced with nothing but time, he got back to songwriting, regularly asking Taryn for input — or as the two playfully put it, “Gen Z quality control.”

“I’d say, here’s an early concept, what do you think? Then she’ll steer the ship, and then I’ll evolve it from there,” Austin explains. “Taryn is the sounding board and Gen Z vision of the band, where I’m kinda cranking stuff out.”

As they got going, forming what would turn into Durry, the siblings also outlined DIY ideas for branding and promotion, creating all of their own content and imbuing their visuals with nostalgic golden yellow, large fonts, and tactile images that would later make their way into eye-catching merch.

The immediate result of their musical partnership was the pop-punk/alternative anthem “Who’s Laughing Now,” which leads with wry, tongue-in-cheek lyrics about the futility of young adulthood in 2023: “My mama always said I would regret it if I ever got a tattoo,” Austin chants, adding: “She said I’d never get a job like I ever wanted one with that attitude/ My dad said I had to learn to drive a stick shift, but every van I ever had was an automatic/ My friends said that someday I would make it big, but I’m still living in the basement.”

After posting an unfinished version of “Who’s Laughing Now” on TikTok, it swiftly took off, galvanizing thousands of viewers who shared their coming-of-age frustrations. Clearly, the song’s sentiments — which land somewhere between a shrug and a clenched fist — resonated with millions of listeners, and today the song has garnered more than four million Spotify streams. Meanwhile, Durry have recorded a fully fleshed-out version of “Who’s Laughing Now,” which is set to appear on their riveting, perfectly sardonic debut LP, Suburban Legend.