NOTE: The following Festival rules apply to the 2026 Festival.
Eligibility and Attendance
Artists participating in the Gasparilla Festival of the Arts (the “Festival”) must be 18 years of age or older as of the first day of the Festival. If a participating artist is required to sign any document prior to their 18th birthday, such document must be co-signed by a parent or guardian and ratified by the artist after they turn 18 years old.
To be eligible for jury and awards, all work must be original, created by the artist within the three (3) years prior to the Festival, signed by the artist and available for sale with the price clearly visible. Any piece of art that has won an award at our Festival is ineligible for awards at any subsequent Festival.
An accepted application is a commitment to participate in the Festival, and refunds will not be issued for cancellations.
All artists, including both artists, if accepted as partners, must exhibit and be present during the complete Festival, from 9 a.m. through 6 p.m. on Saturday, and from 10 a.m. through 5 p.m. on Sunday. Artists who fail to follow this rule will be ineligible for prizes and may be denied admission to future Festivals.
Only accepted artists may exhibit works within their assigned booths. Subletting booth space is prohibited. Artists can apply for double booths with fees adjusted accordingly. Artists can apply and display up to two media within a double booth space if the artist has applied and been accepted in both media. Artists shall only exhibit works typified by the images submitted with their application. Only one medium category may be exhibited in a single booth.
An artist may apply in multiple medium categories for different bodies of work. A separate application must be submitted (including its own set of images) and a separate application fee must be paid for each category. An artist may not apply multiple times in the same category.
Any artist who has been accepted in the “Emerging Artist” category may not, in subsequent years, apply to the Festival as an emerging artist.
Display and Sale of Work
Artists shall not display or sell manufactured jewelry, ceramics cast from commercial molds, glass created from commercial molds, art supplies, commercial displays, or any craft items made from a kit. Artists shall not display or sell non-original commercially reproduced items such as posters, greeting cards, postcards, calendars, t-shirts, tote bags, buttons or other items even those with images of their artwork. Works of art that have won any award at the Festival shall not be prominently exhibited in the artist’s booth at any subsequent Festival while the juror is reviewing the booth. Such artwork may be kept in a portfolio, bin, or other non-prominent location.
Only the works of accepted artists may be displayed or sold at the Festival. “Sale” signs are prohibited. Ribbons and awards from other art shows or other festivals may not be displayed. All artwork shall be displayed in its final form. Artists shall not engage in painting, drawing, or any other production of artwork or revisions to artwork during Festival hours.
All exhibited artwork must be available for sale. Prices for all exhibited artwork must be clearly noted on or beside each piece. Notwithstanding the foregoing, the prices for jewelry may be noted on a price list which is readily available for viewing by all patrons.
Booth Display
Regular booth spaces measure approximately 10′ deep x 10′ wide and double booth spaces measure approximately 20’ wide x 10’ deep. All booth spaces will be marked by Festival personnel before artists are permitted to set up their booths. All artwork must be contained within the assigned space.
All displays should be wind-resistant and able to withstand large crowds. Water-resistant coverings and weights are highly recommended. These items will not be supplied by the Festival. Artwork may not be affixed to or leaned against any tree, pole, or other fixture within the Festival grounds. Stakes, or any tools or displays that penetrate the ground are prohibited.
Sharing of booth space is prohibited. Only one exhibitor will be permitted in each space unless artists applied and were accepted as partners on collaborative work. Each artist must exhibit a minimum of five works to be eligible for jurying, and the name of the artist and the booth number (provided at check-in) must be displayed clearly at the artist’s booth.
All paintings must be framed or mounted. Unframed or unmounted artworks, including watercolors, drawings, and graphics must be displayed in a portfolio or a bin.
Category-Specific Rules
Artwork (other than photography) that is printed using inkjet technology will be permitted only in the digital art category. Original, limited edition prints of digital art will be permitted and must be signed and numbered as part of an edition. Digital art refers to artwork created on a computer by hand using the artist’s original ideas and concepts. Artwork created using artificial intelligence is not permitted.
Photographs must be signed and numbered and must be the artist’s original image. Artists are encouraged to identify clearly whether a photographic print is produced digitally or through a traditional photographic process (silver print, Polaroid, dye-transfer, etc.).
Ceramic works must be handmade and signed by the artist. If multiple pieces of the same design are displayed, each must be signed.
Jewelry must include components designed and hand-crafted by the artist using traditional methods of casting or fabrication/construction. No commercially manufactured elements, other than findings, are permitted. Items created solely through the stringing of beads and similar materials on wire, string, or cord, with no elements handmade by the artist, are not permitted.
Wearable art, such as hats, purses, shoes, and other apparel that are designed and hand-made by the artist are eligible to be displayed and sold. Each must be labeled with the artist’s name.
Definitions
“Original artwork” shall refer to artwork designed by the artist that is one-of-a-kind. Artwork that is printed utilizing inkjet technology must be created on a computer and then exhibited as first printed in order to qualify as an original artwork. Original artwork printed utilizing inkjet technology may be modified by other methods, such as traditional painting, and exhibited in the mixed media category.
“Original limited-edition print” shall refer to an image that originates as digital art, a photographic negative or a traditional printmaking technique (including, without exclusion, linoleum block prints, woodcuts, etching plates, stone lithographs, or serigraphs) when such image is executed in media worked by the artist, printed in a limited edition, signed, and numbered.
“Reproduction” shall refer to original artwork that is digitally captured into a computer or photographed onto film and then printed as an inkjet print, photograph, offset lithograph, giclee, etc. The defining factor is that an original piece of artwork already exists prior to the printing – everything that follows is a reproduction.
Reproductions are not eligible for awards. All reproductions must be clearly and individually labeled as reproductions. No other terms, such as “print,” “giclee” or “offset lithograph” may be used. Labels must say “reproduction.” Reproductions must be in signed editions of no more than 750. They may not be framed and displayed alongside original work but must be placed framed or unframed in a browsing bin separate from original work and clearly labeled “Reproductions.” Reproductions must be an ancillary part of the artist’s display.
“Hand colored” or painted reproductions are not permitted and may not be displayed or sold as original artwork. Giclees or ink-jet prints of original artwork produced in another medium, are considered reproductions whether they are printed on canvas, paper, or any other surface.
For digital media, only one of each image can be displayed on booth walls.
Miscellaneous
Conducting opportunity drawings, raffles, auctions or other games of chance is strictly prohibited.
Each artist is responsible for collecting Florida state sales tax on sales made during the Festival and remitting such taxes to the local office of the Florida Department of Revenue. Vehicles will only be permitted on Festival grounds during designated load-in and load-out times absent expressed permission from authorized Festival personnel. Artists must present a photo ID when delivering or picking up any artwork that has been selected by the jurors. Artwork selected by a juror and delivered to the jury room by the artist may not be retrieved until the last day of the Festival, after the time designated by the jury room staff.
Penalties for failure to abide by these rules include immediate removal of artwork in violation of the rules, ejection from the Festival and possible suspension from exhibiting in future Festivals. If an artist fails to disclose previous award-winning artwork in violation of these rules, all artwork from that artist may be deemed ineligible for jury and awards.
Any artist, artist assistant or companion who engages in inappropriate, aggressive, abrasive, or illegal behavior or who violates these rules or any other Festival policy may be expelled and/or banned from the Festival and future Festivals. Any artist who applies for admission to the Festival after having been banned shall not be entitled to a refund of any application fee. Any artist who is inadvertently invited to participate in the Festival after having been banned may be asked to leave and shall not be entitled to a refund of any application or booth fee.
NEITHER GASPARILLA ARTS, INC., NOR ANY OF ITS DIRECTORS, OFFICERS, AGENTS, SPONSORS, OR VOLUNTEERS SHALL BE LIABLE FOR ANY LOST, DAMAGED, OR STOLEN PROPERTY.
Some have said this music is a bit bluesy pop folk, others have opined it is old soul with an indie feel. To all of the above, I say YES. This music is a bit of everything I love from jazz to blues, funk to folk. This music is me.
As far back as I can remember, sounds would mesmerize me. As a short haired girl freckled from head to toe, I would sit in the kitchen for hours just singing along with the constant hum of the refrigerator. As my red hair grew longer, so did my longing for art, for song.
Having been a part of great groups of musicians before, I have had the privilege to play in front of presidents, prime ministers, and foreign leaders both in the US and abroad. These were wonderful experiences and I am truly grateful to have had them.
But something was missing.
(Queue The Random Occurrence)
At the end of 2016, a chance encounter reunited me with a couple of longtime friends and musicians John Soler & David Diaz. They too have been in other bands and were working on their own unique & refreshing sound.
Immediately, I knew we had something special.
Something refreshing. Something real. Nick Ewing joined us shortly thereafter to provide a beautiful dynamic of ideas and talent with his violin and bow.
My hope is that, through this music, you feel me come alive. Come, share the pieces of my soul l leave scattered in song. Share a piece of me.
I like to write songs about mfs who break my heart so I’m like Taylor Swift except I’m Black and Better. Set the (Tone). Be the Example (I.E)
Tha Banned is a jazz band consisting of Alejandro “Chach” Coronado (Trumpet), Malachi Elmore-Davis (Trombone), Kingsleyiii (Bass), Jeremiah “Yogi” Warren (Drums), Lincee St. Amand (Vocals) and Johnny Champagne (Keyboard). As a collective of Tampa based musicians and songwriters that started as a jam band in an auto shop, they are committed to spreading the spirit of live music and community.
Wülfgang Amadeus is a band that hails from Tampa comprised of poets. They blend music and spoken word to create an intense brew. As they self-describe:
“A Poet and Drummer meet at a bar and Wülfgang Amadeus is born! Now united, the Wülfgang is finally ready to shred their bohemian rhapsody across the ages with their timeless lyricism, classic riffs, inspiring Melodie’s, dynamic sound and talents that span multiple genres of performance art.”
Mountain Holler is the cavernous alternative-folk project of Seattle, WA based musician Mark Etherington. The music of Mountain Holler is a meditation on nature, the shadowed side of the human experience and the dream-like music born from explorations through his own mind. There is a very heavy influence from Tolkien lore, Led Zeppelin and Eastern spiritualism. Mountain Holler’s live show consists of multiple acoustic guitars in unusual alternate tunings, electronic drones and powerful vocals that provide the listener a sweet invitation to join in on one human’s experience of this world and our shared connection to nature.
Etherington moved from St. Petersburg, FL to Seattle, WA in 2021 after spending over half his life cutting his teeth in the Tampa Bay area music scene. Still watering his deep Florida musical roots by returning multiple times a year to perform , a Mountain Holler show is not one to miss. The Tampa Bay Times says of Mountain Holler ,” Refreshing and unpretentious, his music is spacious and etheral, conjuring visions of wide-open spaces, actualized through open tunings and a sea of reverb.” (Aaron Lepley). The Stranger writes that Etherington “murmurs, moans, belts, and croons ethereal yet powerfully-charged melodies that sound as if they were hewn from some rocky outcropping before their journey to the heavens.” (Leilani Polk)
He has since been steadily releasing new music to his bandcamp and self released his two newest singles ‘Trying to Connect’ and ‘Rolling Thunder’ on all major platforms in early 2024.
Born in Brazil from Bolivian descent, Nelson grew up in Tampa and began musical performance at the age of seven. Starting with piano, drums, trombone and tuba in middle school, he finally ventured into the world of guitar at 13. After a year in training, Nelson auditioned and was immediately accepted to Blake High School of the Arts. There, he entered classical guitar instruction with esteemed educator John Michael Parris. In 2004, Nelson won the National Foundation for Advancement in the Arts’ Merit Recognition Award. He graduated to study classical guitar at Florida State University’s College of Music under Professor Bruce Holzman. While at FSU, he began exploring jazz composition with Joel Johnson and Leo Welch. In 2005, Nelson attended New York University’s Guitar Intensive Program to further explore jazz theory. He began teaching private lessons during his senior year and, in 2008, earned his BA Music degree. Nelson came back to Tampa to continue teaching and has delighted venues around the region with his solo classical guitar, ceremonial ensembles, acoustic guitar duo/trios, and full electric bands.
Tim Balajadia was born and raised on Guam, USA. Tim has been writing, composing, and performing original music since 2001. His laid-back acoustic vibes with powerful alternative vocal tone fit him right into the progressive reggae scene. Tim holds firm to the essential values of Positivity, Peace, Equal Rights, Unity and Love. With people playing cover songs on Guam, Tim Balajadia left the tiny but mighty Pacific island inspired to create more conscious and impactful music.
Fire branded in the Chicago blues circuit, roots rocker and bluesman RJ Howson picked up his skillful guitar chops & powerful vocals performing and sharing the stage with blues icons and fellow musicians at Buddy Guy’s Legends, Rosa’s Lounge, Kingston Mines, BLUES on Halstead and many other clubs in the Windy City and playing countless shows all over the Midwest.
Somewhere between just enough and way too much, Discord Theory blends honest introspection, raw pop punk energy, and gritty post-hardcore intensity with breakdowns designed to move the room. Formed in sunny Tampa, FL in 2017, the band is led by Ecuadorian frontman Luis Giler’s commanding vocals and subversive songwriting, alongside Anthony Rogue’s groove-heavy bass, Sydney Reinfrank’s razor-sharp guitar, and Tyler Austin’s hard-hitting drums.
Bulgarian-born Geri X is a composer, a musician and a singer hard to put a label on. Fans and critics spotted it from the moment she broke onto the Tampa Bay music scene: Geri is an artist with a singular sound you have not heard before. What started with a classical training in piano, guitar and voice, evolving out of a broad and eclectic blend of influences, has become wonderfully her own.
Much like the kids walking along the train tracks in the 1986 film Stand By Me (the initial inspiration for the band’s name), the members of Florida’s HAVE GUN, WILL TRAVEL set out on a life-defining journey of growth and discovery. Principle songwriter and singer-guitarist Matt Burke enthusiastically leads fellow bandmates; brother and bassist Daniel Burke, guitarist Scott Anderson, keyboardist Edward Stork and drummer Sam Farmer through a catalog of songs that run the gamut from foot-stomping front-porch spirituals to strum-punk rave-ups, hill-country historicals and indie-rock anthems. With six full-length studio albums under their belts, the “Silver Sounds” ep was released May 23, 2022 on silver 10” vinyl and the companion “Voyager Golden” ep on gold 10” vinyl released Dec 5, 2025, so HGWT show no signs of slowing down. In December 2022, the band’s hometown of Bradenton, FL awarded Matt Burke and Have Gun, Will Travel the key to the City of Bradenton for their contributions to the arts in their community.