Checking in with 2025 Emerging Artists Award Winner, Ryan Michael Kelly.

Ryan carries the soon-to-be award winning piece to the jury room on Saturday afternoon of Festival Weekend.

Each year, the Gasparilla Festival of the Arts’ Emerging Artists Program provides a platform for new voices in the visual arts, offering not just an opportunity to exhibit, but also mentorship, professional development, and the chance to connect directly with collectors. At the 2025 festival, painter Ryan Michael Kelly stood out from a talented field and was named the winner of the Emerging Artists Award. His journey over the past year shows how the program can truly change an artist’s trajectory.

From New York Beginnings to Tampa’s Festival Scene

When Ryan applied to the Emerging Artists Program in the fall of 2024, he was at the very beginning of his journey as a painter. Having recently left New York where he was a photographer, he was determined to pursue a lifelong dream of painting, though at the time, his experience was limited. “It was always my dream to be a painter, so I figured I had to start somewhere,” he recalls. He began by connecting with a local gallery, which helped him get his first works into the public eye.

But Florida’s capricious weather threw him a curveball early on. Just before one of his first shows was set to open, a hurricane forced its cancellation. While disappointing, that moment proved pivotal. It was then that Ryan first began to imagine how art festivals might give him the exposure he needed.  That spark of curiosity led him to Tampa’s Hyde Park Art Fest where he crossed paths with a member of GFA’s Emerging Artists Committee, who told him about the EA program and asked him to apply.

Finding a Voice Through Dedication

Although relatively new to painting, Ryan has been relentless in his pursuit of developing his style. “I won’t say that I’m 100% there yet, maybe I’m only 50% there, but I definitely have found my voice,” he explains. His influences range widely, but names like Willem de Kooning and Jean-Michel Basquiat stand out. “You can see de Kooning in my work for sure, and also some more current figurative painters.”

What anchors his progress is discipline. Ryan paints nearly every day, because for him, taking even a short break risks disrupting his rhythm and style. “When I step away, I lose not only my brushstroke style but also my overall concept. But it comes back naturally the more I paint.” This daily practice, combined with his willingness to study hundreds of other artists, has accelerated his growth. His story is a reminder that dedication and persistence are just as important as inspiration in the making of an artist.

Mentorship and Festival Success

The Emerging Artists Program offered Ryan far more than a booth—it gave him a crash course in how to be a professional artist. “It really had nothing to do with developing your art so much as it had to do with how to display your art, how to edit your art, how to present it in a way that is sellable,” he says. He learned how to transform a 10-by-10-foot tent into a gallery space that invited visitors in and allowed his work to shine. The mentoring sessions offered to artists selected for the EA program guided him in presentation, pricing, and sales strategy, all the behind-the-scenes details that can make or break a festival experience.

By the time festival weekend arrived, Ryan was nervous. He had questions every new artist faces: Had he brought too much work? Too little? Would his booth display function properly? Would anyone want to buy his paintings? “I literally had zero expectations of sales. I just wanted to get feedback on my work,” he remembers. But the outcome far exceeded his hopes. Ryan sold sixteen paintings over the weekend, small, medium, and even a few large pieces. For an artist who thought he might sell nothing, the response was electrifying. “I was so surprised, and I consider it a huge success.”

That success gave him momentum. Instead of viewing GFA as a one-off opportunity, Ryan began to see festivals as a viable path forward. He is now committed to exhibiting at fine-art festivals around the country, with more than a dozen on his calendar for this year alone.


A Career Taking Flight

The months since GFA have been transformative. Ryan is now represented by four different galleries in Florida and Georgia, while also actively pursuing new partnerships with interior designers and collectors. “I’m very proactive with my work,” he says. “I’m reaching out to designers, galleries, and anyone in the industry I want to work in.” That hustle has paid off, with steady sales and a growing base of collectors.

Importantly, the experience helped clarify his goals. “What I really want for my art career is being able to live solely off my art,” he shares. He isn’t focused on wealth for its own sake but on meaningfully connecting with collectors who resonate with his work. Already, several buyers have returned to purchase multiple pieces, affirming his belief that building long-term relationships is as important as each individual sale.

Ryan also emphasizes the role of direct connection. “Sales online are difficult, and relying only on galleries is tough. People really resonate with speaking to the artist about their work. When I take the time to explain what a piece means, that’s when collectors want to bring it into their homes.” This balance, being both creator and communicator, is something he credits to his GFA experience.


Looking Ahead to GFA 2026

Winning the Emerging Artists Award secured Ryan’s place in the 2026 festival, and he’s already planning for it. He hopes for a corner booth that will allow him to display larger works, including double-panel pieces up to 8 by 6 feet. For him, working large is both an artistic and emotional choice. “Big pieces of art mean a lot in a home. They’re powerful for a collector to dedicate that much space, and for me as an artist, it’s exciting to take up that space.”

Ryan’s background as a professional photographer continues to influence his process. He often begins with digital collages of his own photos and other imagery, layering them to create a visual narrative before translating them into paint. “I’m trying to play with concepts that aren’t possible in photography,” he says. “I’m less concerned with technical ability and more with making sure the concept is strong. That’s what resonates with people.”


Continuing the Legacy of Emerging Artists

Looking back, Ryan credits the Emerging Artists Program not just with giving him a platform, but with shaping how he sees himself as an artist. “GFA definitely helped me be proactive in the sales of my art,” he reflects. It gave him the confidence to pursue opportunities that once felt out of reach.

As he prepares for his return to GFA in 2026, Ryan embodies the purpose of the Emerging Artists Program: to identify talent, nurture growth, and give artists the tools to thrive. For him, the program has been both a launching pad and a proving ground and his story serves as an invitation to other artists considering the leap.

Applications for the 2026 Emerging Artists Program open October 1. To learn more about how the program supports new voices in the arts and how you could be the next award winner, visit the Emerging Artists Page on the GFA website.

Ashley Smith and the Random Occurrence

Some have said this music is a bit bluesy pop folk, others have opined it is old soul with an indie feel. To all of the above, I say YES. This music is a bit of everything I love from jazz to blues, funk to folk. This music is me.
As far back as I can remember, sounds would mesmerize me. As a short haired girl freckled from head to toe, I would sit in the kitchen for hours just singing along with the constant hum of the refrigerator. As my red hair grew longer, so did my longing for art, for song.
Having been a part of great groups of musicians before, I have had the privilege to play in front of presidents, prime ministers, and foreign leaders both in the US and abroad. These were wonderful experiences and I am truly grateful to have had them.
But something was missing.
(Queue The Random Occurrence)

At the end of 2016, a chance encounter reunited me with a couple of longtime friends and musicians John Soler & David Diaz. They too have been in other bands and were working on their own unique & refreshing sound.
Immediately, I knew we had something special.
Something refreshing. Something real. Nick Ewing joined us shortly thereafter to provide a beautiful dynamic of ideas and talent with his violin and bow.
My hope is that, through this music, you feel me come alive. Come, share the pieces of my soul l leave scattered in song. Share a piece of me.

Tone I.E.

I like to write songs about mfs who break my heart so I’m like Taylor Swift except I’m Black and Better. Set the (Tone). Be the Example (I.E)

Tha Banned

Tha Banned is a jazz band consisting of Alejandro “Chach” Coronado (Trumpet), Malachi Elmore-Davis (Trombone), Kingsleyiii (Bass), Jeremiah “Yogi” Warren (Drums), Lincee St. Amand (Vocals) and Johnny Champagne (Keyboard). As a collective of Tampa based musicians and songwriters that started as a jam band in an auto shop, they are committed to spreading the spirit of live music and community.

Wülfgang Amadeus

Wülfgang Amadeus is a band that hails from Tampa comprised of poets. They blend music and spoken word to create an intense brew. As they self-describe:
“A Poet and Drummer meet at a bar and Wülfgang Amadeus is born! Now united, the Wülfgang is finally ready to shred their bohemian rhapsody across the ages with their timeless lyricism, classic riffs, inspiring Melodie’s, dynamic sound and talents that span multiple genres of performance art.”

Mountain Holler

Mountain Holler is the cavernous alternative-folk project of Seattle, WA based musician Mark Etherington. The music of Mountain Holler is a meditation on nature, the shadowed side of the human experience and the dream-like music born from explorations through his own mind. There is a very heavy influence from Tolkien lore, Led Zeppelin and Eastern spiritualism. Mountain Holler’s live show consists of multiple acoustic guitars in unusual alternate tunings, electronic drones and powerful vocals that provide the listener a sweet invitation to join in on one human’s experience of this world and our shared connection to nature.

Etherington moved from St. Petersburg, FL to Seattle, WA in 2021 after spending over half his life cutting his teeth in the Tampa Bay area music scene. Still watering his deep Florida musical roots by returning multiple times a year to perform , a Mountain Holler show is not one to miss. The Tampa Bay Times says of Mountain Holler ,” Refreshing and unpretentious, his music is spacious and etheral, conjuring visions of wide-open spaces, actualized through open tunings and a sea of reverb.” (Aaron Lepley). The Stranger writes that Etherington “murmurs, moans, belts, and croons ethereal yet powerfully-charged melodies that sound as if they were hewn from some rocky outcropping before their journey to the heavens.” (Leilani Polk)

He has since been steadily releasing new music to his bandcamp and self released his two newest singles ‘Trying to Connect’ and ‘Rolling Thunder’ on all major platforms in early 2024.

Nelson Mariscal

Born in Brazil from Bolivian descent, Nelson grew up in Tampa and began musical performance at the age of seven. Starting with piano, drums, trombone and tuba in middle school, he finally ventured into the world of guitar at 13.  After a year in training, Nelson auditioned and was immediately accepted to Blake High School of the Arts.  There, he entered classical guitar instruction with esteemed educator John Michael Parris.  In 2004, Nelson won the National Foundation for Advancement in the Arts’ Merit Recognition Award.  He graduated to study classical guitar at Florida State University’s College of Music under Professor Bruce Holzman.  While at FSU, he began exploring jazz composition with Joel Johnson and Leo Welch.  In 2005, Nelson attended New York University’s Guitar Intensive Program to further explore jazz theory.  He began teaching private lessons during his senior year and, in 2008, earned his BA Music degree.  Nelson came back to Tampa to continue teaching and has delighted venues around the region with his solo classical guitar, ceremonial ensembles, acoustic guitar duo/trios, and full electric bands. 

Tim Balajadia

Tim Balajadia was born and raised on Guam, USA. Tim has been writing, composing, and performing original music since 2001. His laid-back acoustic vibes with powerful alternative vocal tone fit him right into the progressive reggae scene. Tim holds firm to the essential values of Positivity, Peace, Equal Rights, Unity and Love. With people playing cover songs on Guam, Tim Balajadia left the tiny but mighty Pacific island inspired to create more conscious and impactful music.

RJ Howson

Fire branded in the Chicago blues circuit, roots rocker and bluesman RJ Howson picked up his skillful guitar chops & powerful vocals performing and sharing the stage with blues icons and fellow musicians at Buddy Guy’s Legends, Rosa’s Lounge, Kingston Mines, BLUES on Halstead and many other clubs in the Windy City and playing countless shows all over the Midwest.

Discord Theory

Somewhere between just enough and way too much, Discord Theory blends honest introspection, raw pop punk energy, and gritty post-hardcore intensity with breakdowns designed to move the room. Formed in sunny Tampa, FL in 2017, the band is led by Ecuadorian frontman Luis Giler’s commanding vocals and subversive songwriting, alongside Anthony Rogue’s groove-heavy bass, Sydney Reinfrank’s razor-sharp guitar, and Tyler Austin’s hard-hitting drums.

Geri X

Bulgarian-born Geri X is a composer, a musician and a singer hard to put a label on. Fans and critics spotted it from the moment she broke onto the Tampa Bay music scene: Geri is an artist with a singular sound you have not heard before.  What started with a classical training in piano, guitar and voice, evolving out of a broad and eclectic blend of influences, has become wonderfully her own.  

Have Gun, Will Travel

Much like the kids walking along the train tracks in the 1986 film Stand By Me (the initial inspiration for the band’s name), the members of Florida’s HAVE GUN, WILL TRAVEL set out on a life-defining journey of growth and discovery. Principle songwriter and singer-guitarist Matt Burke enthusiastically leads fellow bandmates; brother and bassist Daniel Burke, guitarist Scott Anderson, keyboardist Edward Stork and drummer Sam Farmer through a catalog of songs that run the gamut from foot-stomping front-porch spirituals to strum-punk rave-ups, hill-country historicals and indie-rock anthems. With six full-length studio albums under their belts, the “Silver Sounds” ep was released May 23, 2022 on silver 10” vinyl and the companion “Voyager Golden” ep on gold 10” vinyl released Dec 5, 2025, so HGWT show no signs of slowing down. In December 2022, the band’s hometown of Bradenton, FL awarded Matt Burke and Have Gun, Will Travel the key to the City of Bradenton for their contributions to the arts in their community.