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Featured Image: “Yellow Light” by Nneka Jones

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This year’s selected festival image is entitled Yellow Light by award winning local artist, Nneka Jones. Nneka grew up in Trinidad and Tobago and recently graduated with a BFA and minor in Marketing from the University of Tampa in May 2020.  Her most recent achievement was a commission from TIME magazine to produce the cover artwork for the August 31st/September 7th issue 2020. The festival image is celebrated each year on all festival promotions, the t-shirt and poster.

Yellow Light Statement The viewer is urged to stop, slow down and appreciate not only the beauty of these portraits but the intensity of their eyes and how that is used as a symbol for authority. “Yellow Light”, the focal piece in the Targets Variegated series, combines symbolism and realism in the form of mixed media to produce a detailed portrait of a young girl. The marriage of the bold colors, red and yellow require you to stop and slow down focusing on the figure. She is presented with her face slightly turned to the right and a hypnotic gaze that grasps your attention. The side profile reinstates the idea of authority and control, emphasizing that she is no longer a victim. This is complemented by the repetition of circular shapes that appear to be a target but are divided and overlapped by her stance. Instead, the bold yellow band makes reference to religious figures, metaphorically proclaiming her importance in society and the need for her to be protected.

Furthermore, the raw embroidery fibers cascading off the canvas are used to remind the viewer of the real and raw reality and the need to break the cycle. This call for change and the protection of our women and young girls are intertwined in the fibers of the artwork using the hand embroidery technique. Each detail is hand stitched and every stitch is an act of intention towards positive social change and the hope that art activism can continue to spread awareness and protect our women and girls.

About Nneka Jones
My fascination and obsession with Art are deeply rooted in my Trinbagonian background. For the past few years, I have been using Art as a channel to create a more intimate connection between the melting pot that is the Caribbean and the rest of the world. My artwork mimics our human experiences of everyday life with the aim of capturing the most realistic and pure versions of these encounters. Thereby creating a space in which I engage my mind, hands and eyes to create a narration that is translated to the viewer in the form of a 2D or 3D work of art. In the end, I have satisfied my “cravings to create” and I can safely say, “Goodbye Cravings. Hello Art!”

Learn more about Nneka Jones at her website: https://www.artyouhungry.com/.

Ajeva

Ajeva is a funk/rock band from St. Petersburg, FL. The band started in 2013 and features Reed Skahill (vocals), Taylor Gilchrist (bass), Mike Nivens (guitar), and Lyndon Thacker (keys). They’ve carved out a sound of their own with epic melodies and distinctive vocals that pair perfectly with their deep grooves. Each Ajeva show is a one of a kind experience with the band taking their songs to different places and new heights every night.

Light the Wire

Light the Wire makes heartfelt, indie-folk rock that with powerful vocal harmonies, thoughtful lyrics, and powered by driving bass and drums.  The quintet is based out of Tampa, FL, and released its self-produced, debut EP – “Someday Is Coming” on all streaming platforms on November 1, 2023.

Giorgi

Rock musician that refuses to find a niche

GA & FL

FFO: Foo Fighters, Jimmy Eat World

Mwiza

Biggest influences are church, his mother, Coheed & Cambria, Acceptance, James Morrison, Bombay Bicycle Club, Disturbed, Arctic Monkeys, Young The Giant, Chevelle, Rusko, Chief and Matt Corby. Most of the music he listens to has a darker sound to it so he in turn makes darker, melodic music.

Datagram

Datagram has been the moniker of shapeshifting Tampa musician Scott Olson for the better part of the last decade.

In that time, the sound and styles of this project have shifted and morphed, painting with shades of glitch, downtempo, techno, and all that lurks in between.

Shevonne and the Force

A multi-hyphenate, genre-bending artist, Shevonne Philidor is a singer-songwriter, producer, and actress who epitomizes her dynamic background in music and performing arts. A military brat born in Philadelphia, PA, she experienced living in multiple cities – including a stint in Italy – before landing in Tampa, Fl, where she nurtured her musical ability throughout her childhood. She’s a scion of a musical family stemming from her half-Haitian descent and taught herself to play the guitar at an early age, inspired by the likes of Prince, Whitney Houston, Aretha Franklin, Lauryn Hill, Bob Marley, and M83. In 2003, she made her first TV debut on America’s Most Talented Kids, and in 2010, she made an appearance on America’s Got Talent Wild Card. A recipient of the prestigious NFAA scholarship, she also made American Idol’s top 40 twice in 2016 and 2019, the same year she performed at Austin City Limits with five-time Grammy award-winning artist Gary Clark jr. In 2021, she performed alongside CeeLo Green at a Superbowl party for the Tampa Bay Buccaneers and was tapped to sing for ABC’s Juneteenth celebration with T.I. and Domani. Working with Grand Hustle Records, she’s a Luna Guitar-endorsed artist who was also selected to perform in Just Blaze’s SXSW showcase in 2022. A theatre kid at heart, she’s flexed her acting skills on a national tour for Todrick Hall’s musical, Oz The Musical, and she was also recently casted in Life’s Rewards, an upcoming Amazon Prime TV show.

Kristopher James

Though he’s lived in the Sunshine State, for most of his life, Kristopher’s talent for melody and song (now) extend far past the state’s line. Like his influencers Otis Redding, Amos Lee, and Roberta Flack, Kristopher’s voice is clear, controlled, and full of all-the-feels.  As with all artists, Kristopher’s sound has ebbed and flowed, evolving yet remaining instantly recognizable. With the growth he’s experienced as an artist, Kristopher felt it was time to capture his songs, in their fully-imagined sound!

With his debut album “Kindness Never Quits”, featuring members of Scary Pockets, Kristopher caught the attention of Relix & Glide Magazine, Spotify Playlist curators and continued praise, such as “vocals are so powerful and as the song progresses, he showcases why he is one of the best singers out there. All that soul in one artist is just unbelievable” from Reignland Magazine.

Continuing through the COVID years, Kristopher partnered with musicians to keep the music and community alive. Along with composer and keys player Mike Hicks of Rascal Flatts, The War & Treaty’s Max Brown on guitar, as well as talented artists Kyshona Armstrong, Jonathan Huber, DeMarco Johnson, Kristopher released 3 acclaimed singles: “Never Had to Find Our Way”, “Feelings” and “I Can Only Love You in a Song”

Deaf Company

Three piece Rock n Roll band hailing from St. Petersburg, FL.

Skyler Golden

Musician from St. Pete Florida and Studio Producer for Zen Recording. Brings an eclectic sound of string instruments for the Yoga Classes at GFA 2024

SydLive

From Tampa Florida, SydLive was born to write and sing songs that touch the world. As her mother recalls, her climb to stardom began with getting on top of restaurant tables to sing at the age of two.

By the time she was eleven, she acquired her first guitar and began to teach herself to play by learning Beatles songs. Within four years she found her way to the stage singing in a Carpenters tribute band. Since this time, Syd has amassed over a decade of experience as a professional singer/songwriter and recording/performance artist. Within the industry, she names Aretha Franklin as her idol.

DURRY

The first sound you hear on Durry’s rambunctious and poignant debut album, Suburban Legend, is an old-school Internet dial-up tone. To songwriter Austin Durry, the sound is instantly familiar but his bandmate and sister, Taryn, hadn’t heard it before. The Burnsville, Minnesota-based duo might identify with different age groups — with seven years between them, Austin is a millennial and Taryn is Gen Z — but by joining forces in Durry, they show just how much the neighboring generations have in common.

Between their serendipitous origin story and a crop of dynamic, hook-heavy alt-pop tracks, Durry are doing something few bands can achieve — and they’re doing it entirely on their own terms. As a band, Taryn and Austin’s journey happened both unexpectedly and fortuitously. At the start of the COVID pandemic, Austin and his wife moved back into his parents’ house, where Taryn was also living at the time. In addition to moving back in with his family, COVID forced Austin to cancel an extensive tour with his previous band, Coyote Kid. Faced with nothing but time, he got back to songwriting, regularly asking Taryn for input — or as the two playfully put it, “Gen Z quality control.”

“I’d say, here’s an early concept, what do you think? Then she’ll steer the ship, and then I’ll evolve it from there,” Austin explains. “Taryn is the sounding board and Gen Z vision of the band, where I’m kinda cranking stuff out.”

As they got going, forming what would turn into Durry, the siblings also outlined DIY ideas for branding and promotion, creating all of their own content and imbuing their visuals with nostalgic golden yellow, large fonts, and tactile images that would later make their way into eye-catching merch.

The immediate result of their musical partnership was the pop-punk/alternative anthem “Who’s Laughing Now,” which leads with wry, tongue-in-cheek lyrics about the futility of young adulthood in 2023: “My mama always said I would regret it if I ever got a tattoo,” Austin chants, adding: “She said I’d never get a job like I ever wanted one with that attitude/ My dad said I had to learn to drive a stick shift, but every van I ever had was an automatic/ My friends said that someday I would make it big, but I’m still living in the basement.”

After posting an unfinished version of “Who’s Laughing Now” on TikTok, it swiftly took off, galvanizing thousands of viewers who shared their coming-of-age frustrations. Clearly, the song’s sentiments — which land somewhere between a shrug and a clenched fist — resonated with millions of listeners, and today the song has garnered more than four million Spotify streams. Meanwhile, Durry have recorded a fully fleshed-out version of “Who’s Laughing Now,” which is set to appear on their riveting, perfectly sardonic debut LP, Suburban Legend.