Application & Rules

Festival Rules

NOTE: The following Festival rules apply to the 2024 Festival. These rules are subject to change for the 2025 Festival.

Eligibility and Attendance

Pursuant to requests from artists in past years, Gasparilla Festival of the Arts has updated the Festival’s awards selection process. See the changes in the application awards and rules sections.

Artists participating in the Gasparilla Festival of the Arts (the “Festival”) must be 18 years of age or older as of the first day of the Festival. If a participating artist is required to sign any document prior to his or her 18th birthday, such document must be co-signed by a parent or guardian and ratified by the artist after he or she turns 18 years old.

To be eligible for jury and awards, all work must be original, created by the artist within the 3 years prior to the Festival, signed by the artist and available for sale with the price clearly visible. Any piece of art that has won an award at a Festival is ineligible for awards at any subsequent Festival.

An accepted application is a commitment to participate in the Festival, and refunds will not be issued for cancellations.

All artists, including both artists if accepted as partners, must exhibit and be present during the complete Festival, from 9 a.m. through 6 p.m. on Saturday, and from 10 a.m. through 5p.m. on Sunday. Artists who fail to follow this rule will be ineligible for prizes and may be denied admission to future Festivals.

Only accepted artists may exhibit works within their assigned booths. Subletting booth space is prohibited. Artists can apply for double booths with fees adjusted accordingly. Artists can apply and display up to two media within a double booth space if the artist has applied and been accepted in both mediums. Artists shall only exhibit works typified by the images submitted with their application. Only one medium category may be exhibited in a booth.

An artist may apply in multiple medium categories for different bodies of work. A separate application must be submitted (including its own set of images) and a separate application fee must be paid for each category. An artist may not apply multiple times in the same category.

Any artist who has been accepted in the “Emerging Artist” category may not, in subsequent years, apply to the Festival as an emerging artist.

Display and Sale of Work

Artists shall not display or sell manufactured or kit jewelry, ceramics cast from commercial molds, glass created from commercial molds, art supplies, commercial displays, decoupage, or candles. Artists shall not display or sell non-original commercially reproduced items such as posters, greeting cards, postcards, calendars, t-shirts, or buttons. Works of art that have won any award at the Festival shall not be prominently exhibited in the artist’s booth at any subsequent Festival while the juror is reviewing the booth. Such artwork may be kept in a portfolio, bin, or other non-prominent location.

Only the works of accepted artists may be displayed or sold at the Festival. “Sale” signs are prohibited. Ribbons and awards from other art shows or other festivals may not be displayed.
All artwork shall be displayed in its final form. Artists shall not engage in painting, drawing, or any other production of artwork or revisions to artwork during Festival hours.

All exhibited artwork must be available for sale. Prices for all exhibited artwork must be clearly noted on or beside each piece. Notwithstanding the foregoing, the prices for jewelry may be noted on a price list which is displayed and readily available for viewing by all patrons.

Booth Display

Regular booth spaces measure approximately 10′ deep x 10′ wide and double booth spaces measure approximately 10’ deep x 20’ wide. All booth spaces will be marked by Festival personnel before artists are permitted to set up their booths. All artwork must be contained within the assigned space.

All displays should be wind-resistant and able to withstand large crowds. Water-resistant coverings and weights are highly recommended. These items will not be supplied by the Festival. Artwork may not be affixed to or leaned against any tree, pole, or other fixture within the Festival grounds. Stakes, or any tools or displays that penetrate the ground are prohibited.

Sharing of booth space is prohibited. Only one exhibitor will be permitted in each space unless artists applied and were accepted as partners on collaborative work. Each artist must exhibit a minimum of five works to be eligible for jury. To be eligible for jurying, the name of the artist and the booth number (provided at check-in) must be displayed clearly at the artist’s booth.

All paintings must be framed or mounted. Unframed or unmounted watercolors, drawings, and graphics must be displayed in a portfolio or a bin.

Category-Specific Rules

Artwork (other than photography) that is printed using inkjet technology will be permitted only in the digital art category. Original, limited edition prints of digital art will be permitted and must be signed and numbered as part of an edition. Digital art refers to artwork created on a computer by hand using the artist’s original ideas and concepts. Artwork created using artificial intelligence is not permitted.

Photographs must be signed and numbered and must be the artist’s original image. Artists are encouraged to identify clearly whether a photographic print is produced digitally or through a traditional photographic process (silver print, Polaroid, dye-transfer, etc.).

Ceramic works must be handmade and signed by the artist. If multiple pieces of the same design are displayed, each must be signed.

Jewelry must include components designed and hand-crafted by the artist using traditional methods of casting or fabrication/construction. No commercially manufactured elements, other than findings, are permitted. Items created solely through the stringing of beads and similar materials on wire, string, or cord, with no elements handmade by the artist, are not permitted. Wearable art, such as hats, purses, and other apparel that are designed and hand-made by the artist are eligible to be displayed and sold. Each must be labeled with the artist's name.

Definitions

“Original artwork” shall refer to artwork designed by the artist that is one-of-a-kind. Artwork that is printed utilizing inkjet technology must be created on a computer and then exhibited as first printed in order to qualify as an original artwork. Original artwork printed utilizing inkjet technology may be modified by other methods, such as traditional painting, and exhibited in the mixed media category.

“Original limited edition prints” shall refer to an image that originates as digital art, a photographic negative or a traditional printmaking technique (including, without exclusion, linoleum block prints, woodcuts, etching plates, stone lithographs, or serigraphs) when such image is executed in media worked by the artist himself/herself, printed in a limited edition, signed, and numbered.

“Reproduction” shall refer to original artwork that is digitally captured into a computer or photographed onto film and then printed as an inkjet print, photograph, offset lithograph, giclee, etc. The defining factor is that an original piece of artwork already exists prior to the printing – everything that follows is a reproduction.

Reproductions are not eligible for awards. All reproductions must be clearly and individually labeled as reproductions. No other terms, such as “print” or “offset lithograph” may be used.

Labels must say “reproduction.” Reproductions must be in signed editions of no more than 750. Reproductions may not be framed and displayed alongside original work. Reproductions must be placed framed or unframed in a browsing bin separate from original work and clearly labeled “Reproductions.” Reproductions must be an ancillary part of the artist’s display.

“Hand colored” or painted reproductions are not permitted and may not be displayed or sold as original artwork. Giclees, or ink-jet prints of original artwork produced in another medium, are considered reproductions whether they are printed on canvas, paper, or any other surface.

For digital media, only one of each image is to be be displayed on booth walls.

Miscellaneous

Conducting opportunity drawings, raffles, auctions or other games of chance is strictly prohibited.

Each artist is responsible for collecting Florida state sales tax on sales made during the Festival and remitting such taxes to the local office of the Florida Department of Revenue. Vehicles will only be permitted on Festival grounds during designated load-in and load-out times absent expressed permission from authorized Festival personnel. Artists must present a photo ID when delivering or picking-up any artwork that has been pulled by the jurors. Artwork pulled by a juror and delivered by an artist may not be retrieved by the artist until the last day of the Festival, after the time designated by the jury room staff.

Penalties for failure to abide by these rules include immediate removal of artwork in violation of the rules, ejection from the Festival, and possible suspension from exhibiting in future Festivals. If an artist fails to disclose previous award-winning artwork in violation of these rules, all artwork from that artist may be deemed ineligible for jury and awards.

Any artist or artist assistant who engages in inappropriate, aggressive, abrasive, or illegal behavior or who violates these rules or any other Festival policy may be expelled or banned from the Festival and future Festivals. Any artist who applies for admission to the Festival after having been banned shall not be entitled to a refund of any application fee. Any artist who is inadvertently invited to participate in the Festival after having been banned may be asked to leave and shall not be entitled to a refund of any application or booth fee.

NEITHER THE GASPARILLA FESTIVAL OF THE ARTS, INC., NOR ANY OF ITS
DIRECTORS, OFFICERS, AGENTS, SPONSORS, OR VOLUNTEERS SHALL BE LIABLE FOR ANY LOST, DAMAGED, OR STOLEN PROPERTY.

Blanket Approval

Blanket Approval is a 4-piece indie rock band from New York City. They formed in 2021 when lead singer Jack Matteucci took a collection of demos recorded in the basement of his physics lab, moved to Brooklyn, and met drummer/singer Joey Hadden. The two were later joined by bassist Max Mena and keyboardist/guitarist/singer Rahul Chakraborty.  The group has played dozens of shows around New York City and the Northeast, from Burlington to Baltimore. They’ve released 10 singles to date, blending hard rock with tight melodies and groovy bass lines; drawing from influences like Portugal. The Man and Franz Ferdinand.

The Savants

The Savants are a nine piece southern soul group from Gainesville, FL. They perform original soul music inspired by the Muscle Shoals Sound as well as the iconic and legendary music that came out of labels like Stax Records and Atlantic Records during the 1960s & 1970s.

Formed in 2011 in Gainesville, FL, the group has undergone several personal changes over the years but settled into its current lineup around 2020.

The band has made its presence felt around the southeast, notably playing Red Gorilla at SXSW in 2017, Suwannee Hulaween in 2016 and Changeville in its hometown in 2018 and 2016. Along the way they have been featured alongside groups such as; Gary Clark Jr., Durand Jones and the Indications, St. Paul and the Broken Bones, Kendra Morris, Charles Bradley and His Extraordinares, George Porter Jr of the Meters, The Original Wailers, The Dirty Dozen Brass Band, Postmodern Jukebox and more.

TV Breakup Scene

Tv Breakup Scene is an indie pop punk band from Tampa, FL inspired by Paramore with a gaze-y twist. After a year of writing they finally made their debut with their new release Troubled Mind!

Nick Ewing

Music’s ability to release energy within us is overwhelming. Capturing moments of emotion and expression to elicit that reaction is such a joyful honor. It’s allowed me to connect, create, and cultivate so many beautiful experiences. Let this be with you… Cheers!

Mia Marlene

Danish-American, California-born, and Florida-raised multi-instrumentalist Mia Marlene offers a vibrant sonic world through her indie pop music, which is infused with hues of 1980’s synth pop and lush, captivating melodies. Her self-produced debut album, “good for my art,”  features songs about living abroad, creative aspirations, and terrible exes (because, well, you know).

Mia Marlene’s music is anchored in her many experiences living in London, Copenhagen, Colorado, and Washington D.C.; places that shaped her sonic vision and imprinted onto her the wealth of the human experience, and how all of these experiences can serve as creative fuel for songwriting and music-making.

Prizilla

PRIZILLA is a pop-soul whirlwind, where horns wail, melodies sparkle, and every beat feels like an invitation. With a microphone in one hand and a saxophone in the other, she leads her band through a kaleidoscope of pop, funk, and soul, crafting music that’s as bold as it is unforgettable. It’s a sound that dances between the playful and the profound, wrapping stories in irresistible rhythms that refuse to stand still.

 Since releasing PEOPLE PERSON, their debut EP, the band has been turning heads and moving feet. With over 50,000 fans following along online, PRIZILLA has earned a reputation for live shows that are part concert, part catharsis, and entirely unmissable.

  The band has shared stages with Nick Hakim and Madison McFerrin, lit up NYC with Couch and The Retrograde, and shaken the rafters with St. Paul & the Broken Bones and Flipturn at FL Fin Fest. PRIZILLA shows no signs of stopping, proving that music isn’t just something you hear—it’s something you feel. And they feel it. This is music for anyone who craves the unexpected, the unforgettable, and the kind of energy that makes you lose track of time. Come for the sax solos; stay for the magic.

Pusha Preme

The Bronx New York-based singer-producer Pusha Preme has been making waves with his delicate blend of heartfelt melodies; Goal-oriented lyrics, and harmonies that reel you in like a fish on a hook. Above all, Pusha’s music is often praised for its high intimacy and familiar themes that find their way to a special place in the listener’s heart.

MK Blessed

Mk Blessed was born in Congo Kinshasa in Sep 18th  He is a singer/songwriter and a speaker who started writing songs at the age of 7 and taught them to His Church worship team, which enjoyed singing His songs.

He formed His first Music group at the Age of 10 and was doing secular music.

When He was 13 he fled his home country and went to a Refugee camp due to war, He lived there for 10 years and then immigrated to the USA in 2016, though He has been writing for a while Mk Blessed released His first single on Dec,  4 2021 entitled Faithful God.

MK blessed is a husband of one wife and a father of two girls, He went to Kampala High School and later attended Bible college in Uganda East Africa, He is a founder of a non profit organization named Fociom that shares love with the underprivileged of the world like himself, Mk Blessed passion is to help others.

Izzy Bradburn

Singer, songwriter, guitarist. I aim to write emotional music that addresses the world we live in and how it makes us all feel.

Boho Sideshow

This unique & unscripted collection of Sideshow characters are of various talents and backgrounds to make for a spectacle of amazing musical entertainment. Experience the anecdotal mishaps from the wild to the fantastical. Boho Sideshow comes from parts unknown, but are known for performing an exhibition of Eclectic Americana Music.

Fabiola Méndez

FABIOLA MÉNDEZ is a Puerto Rican cuatrista, singer, educator, and Emmy-nominated composer. Her artistic vision and original music focus on the exploration of her culture, her ancestry, and her identities.

Native to Caguas, PR, Fabiola began playing the cuatro, Puerto Rico’s national instrument, at the age of six. She got her early music trainings at the Antonio Paoli School of Music in Caguas and her Bachelor’s in Music from Berklee College of Music, where in 2018 she made history as the first graduate to play the Puerto Rican cuatro as principal instrument.

Fabiola’s mission has always been to share and celebrate the cuatro, folk music, and collective story-telling. In doing so, she’s had the honor of performing at venues such as the NPR Tiny Desk, Metropolitan Museum of Art in NYC, Celebrity Series of Boston, New Orleans Jazz & Heritage Festival, Fred Rogers Productions, Instituto de Cultura Puertorriqueña, among many others. She has also collaborated with many local and international artists, including the Puerto Rico Symphony Orchestra, Totó La Momposina, Pedro Capó, Andy Montañez, Danny Rivera, Chicago Philharmonic, and the Boston Landmarks Orchestra.

Her list of recordings include: Herencia Criolla (2009), Al Otro Lado Del Charco (2019), Afrorriqueña (2021), and Flora Campesina (2024). In 2022, she produced her first
documentary “Negrura”, showcasing Afro-Latinx stories in topics around colorism and discrimination within our own communities.

In recent years, she’s had the honor of receiving recognitions such as the Quincy Jones Award, ambassador for the Puerto Rican Day Parade in NYC, the Brother Thomas Fellowship, the Whippoorwill Arts Fellowship, and the ASCAP Foundation Lucille and Jack Yellen Award 2022. She was also nominated for a Children’s and Family Emmy in the category of Outstanding Interactive Media and won the “Latin Artist of the Year 2023” by the Boston Music Awards. Her music is featured on the film Beautiful, FL (Disney+), on the tv shows Alma’s Way, Work It Out Wombats (PBS Kids), and Mecha Builders (HBO Max), as well as indie films, jingles, and TV commercials.